Metal and fabric come together for the Arts & Science Center for Southeast Arkansas’ latest art exhibit, Fire & Fiber: New Works by Sofia V. Gonzalez and David Clemons, opening Thursday, April 26, 2018, in the William H. Kennedy Jr. Gallery. The exhibit kicks off with a reception from 5-7 p.m. April 26. The artists will be on hand to make remarks at 5:30.
“The organic nature of both artforms comes together in a sumptuous feast for the eyes,” says ASC Curator Lenore Shoults, Ph.D.
“Clemons’ sculpture and jewelry conjoin the raw power of metalwork and delicate use of found objects,” Shoults says. “Gonzalez conjures a palette from nature dyeing silk, wool, and cotton to form the exquisite layers of her sculptures. In both artists’ work, we find unexpected use of materials. Gonzalez uses fiber almost like paint, stroke upon stroke of rich color building sculptures sometimes reaching over four feet in size. Clemons’ work is diminutive and yet powerful, the use of found objects packing a punch once enveloped in silver. By the hand of both artists, the ordinary elevates to art; Gonzalez takes debris from the natural environment boiling it into luscious colors and Clemons frames the detritus of humans in sterling.”
Clemons is an artist in residence and instructor in metalsmithing and jewelry in the Department of Art and Design at the University of Arkansas at Little Rock. He has a Master of Fine Arts degree in metalsmithing from San Diego State University.
“My studio work has always been an extension of the experiences I have internalized, and I dissect my experiences and tease out greater awareness of the impact levied by each experience,” Clemons says in his artist statement. “My practice has become deeply introspective as probing my understanding of loneliness, friendships, creativity, Southern culture, fatherhood, and finding a new sense of place and redefined identity have been my source material. This personal exploration has been difficult at times as I do not always feel I have the adequate tools or emotional distance to gain insights into some of these uncomfortable mental places.
“The nagging question at the root of the work is: What happens as you confront and reconcile the mental image of yourself with the reality of who you must be, based on the demands of your life? This was the question I pondered sitting on a rocky shore line watching a boat struggle against the waves to reach open sea. The infinite possibility in the vast expanse of the ocean posed a physical and metaphorical escape; this is an escape with brilliant potential but fraught with danger. The seeds for this body of work initially grew in the form of a short story inspired by this observation. The story chronicles a character fleeing from captivity only to meet an uncanny stowaway on his boat. I found myself being more enticed by the objects I began sketching than the written words. The objects have nautical references and heavily feature crude boats and warning buoys foreshadowing impending destruction.
“As I executed the work in this new direction I utilized a process-based approach, a methodology driven by trying to convey emotional tension and introspection through material manipulation and alluring objects. Ultimately, the objects stand alone from the narrative and are intended to evoke a visceral response in the viewer, tapping into subconscious fears, anxieties, sympathies, and curiosities. The works are intended to be stand-ins for a human need to probe the darkness of the unknown within one’s self.”
Gonzalez is an adjunct professor of art at the University of Central Arkansas and UA-Little Rock. She has an M.F.A. from California College of the Arts in San Francisco, where she focused on furthering her skills in textiles and natural dye techniques. She was a 2017 Hot Springs National Park artist in residence. The Arkansas Arts Council awarded her an Individual Artist Fellowship in Contemporary Craft in 2017.
“As a maker, I feel a frantic urge to record the places I have known, such as northern California and central Arkansas, to attempt to embody the way these locations have shaped me and the way I feel within them,” Gonzalez says in her artist statement. “Recording and archiving both physical and emotional landscapes, I create a moving methodology to respond to places that have already affected me and those I will meet in the future.
“Collecting flowers, hulls, barks, fruits and vegetables, I boil the materials to release the inherent colors of the land. Sewing, looping, and layering naturally stained textiles focuses a restless mind as I archive through making to respond to the fear of what may happen when a place changes. A homesickness for places I still know saturates each stain and reveals a constant concern of what might happen when a specific site and I are no longer connected. The fleeting feeling of place leaves me frantically trying to grasp onto something I cannot hold. To keep still, my hands must move and I ground myself in the physical plants and fibers. I knot, loop, cut, and drape dyed textiles to focus and to remember the intimate moments in each place I know. The cardinal singing in the backyard at dawn is woven into each crocheted thread, actually colored by the neighboring summer weeds.
“I am colored by the land; together, we generate place.”
“I have been fortunate to see both of these artists at work: Sofia teaching young students the techniques of hand-dyeing with natural materials, and David demonstrating the process of forging metal for maker audiences young and old,” says ASC Executive Director Dr. Rachel Miller, “Each artist's methodology and aesthetic reflects ASC's aim to explore with our community the diversity of artistic expression.”
This exhibit marks the debut of the gallery’s new LED lighting, which was made possible by the generosity of the late Diane Ayres. She was a longtime supporter of ASC.
Fire & Fiber runs through Saturday, July 28, 2018.