Bork 'Shapes' Up for Solo Exhibition

Dustyn Bork during a 2018 Vermont Studio Residency, featuring two works in his solo exhibition  Complex Shapes and Empty Space.  The exhibition is at the Arts & Science Center though Saturday, April 13. Photo by H Romero, courtesy of Dustyn Bork.

Dustyn Bork during a 2018 Vermont Studio Residency, featuring two works in his solo exhibition Complex Shapes and Empty Space. The exhibition is at the Arts & Science Center though Saturday, April 13. Photo by H Romero, courtesy of Dustyn Bork.

Lyon College Professor Explores Architectural Structures, Color in ASC Show

By Shannon Frazeur

Printmaker, painter, and professor Dustyn Bork brings his colorful, abstract and geometric work to the Arts & Science Center with a solo exhibition Dustyn Bork: Complex Shapes and Empty Space.

The exhibition is now open, and ASC is hosting a free, public recept­ion 5-7 p.m. Thursday, January 24.

The 21 pieces in the exhibition — acrylic on shaped panels and framed seriographs — are inspired by architectural forms.

“The theme for the exhibition is formally about shape and color,” Born explained. “Conceptually, the work is all inspired by the built environment. I am interested in how architecture shapes our daily experience.”

ASC Bork Exhibition - Complex Shapes - 72dpi.jpg

The title of the show comes from a line in a book on Japanese aesthetics called In Praise of Shadows by Jun'Ichiro Tanizaki. “It is a brief but beautifully written first-hand account on what makes Japanese architecture unique based on space, lighting, and an appreciation for age.”

“I am interested in the contrast between old and new structures. I want viewers of my work to make connections between the textures, colors, shapes, and lines in my work with the world around them.”

The exhibition is an excellent fit for not only ASC’s gallery space but for Pine Bluff.

“The dimensionality and vibrant colors of Dustyn Bork’s bold shapes catapult off the gallery walls and one cannot help but smile when entering the space,” ASC Curator Dr. Lenore Shoults said. “Bork’s exploration of the constructed environment, upon which this series is built, and Pine Bluff’s current moment of architectural decay and renewal is particularly poignant. Again, art guides us and, during this exhibition for sure, keeps us joyful and optimistic about the outcome.”

Bork explored the structures and design aesthetics of the 1970s for his solo exhibition at the East Arkansas Community College Gallery last fall. Split Level included a series of paintings in which traditional rectangle compositions were cut into shaped panels to more accurately reflect architectural forms in split-level. 

For another 2018 exhibition, Bork teamed up with his wife, artist Carly Dahl, for Going Unnoticed at the Historical Arkansas Museum in Little Rock.

“She is one of the most talented, smart, and creative people I have ever known,” Bork said. “She is always making things; if not art, then textile weaving, knitting, or crafts. She has a great eye and lends her critical attention to work in the studio — a big help.”

“We have been together for 10 years and enjoy traveling, attending art exhibitions.”

He is originally from Monroe, Mich., about an hour south of Detroit and part of the heavily automotive-centered region. (Monroe is also home to a nuclear plant and a large equestrian monument dedicated to former resident Gen. George Custer.)

Bork taught for seven years in Ohio at the University of Toledo: Center for the Visual Arts before moving to Arkansas in 2010. He is an associate professor of art at Lyon College, a small private liberal arts college in Batesville.

“I have since received tenure and have really enjoyed the academic and artist community here. It is a great gig, a beautiful place to live in the foothills of the Ozarks, talented students to work with, and a wonderful community to live, work, and play in.

“Lyon is amazing place to teach. The students are great, and I enjoy the impact I can have in a nurturing environment working with small class sizes. It is a great campus.”

Bork has even called the Lyon campus home the last few years. “Carly and I live on campus and serve as resident mentors. It has been an amazing and rewarding experience working with all of the students and watching them grow.”

The couple is a fixture in Batesville’s art community. He serves on the board of the Ozark Foothills FilmFest and volunteers for the Batesville Area Arts Council, where Dahl is executive director.

Dustyn Bork and his Lyon College mural class students with one of the murals they created in Batesville. Bork and North Carolina- based artist Grace Engel designed the mural, and the students painted it. Photo by Carly Dahl, courtesy of Dustyn Bork.

Dustyn Bork and his Lyon College mural class students with one of the murals they created in Batesville. Bork and North Carolina- based artist Grace Engel designed the mural, and the students painted it. Photo by Carly Dahl, courtesy of Dustyn Bork.

Last fall, Bork and six students — along with artists Steve Adair of Rogers and Grace Engel of Asheville, N.C. — designed and executed four murals in Batesville.

The students created one mural — from concept to paint — completely on their own. Protect explores the local emergency services and was commissioned by the Independence County Judge. 

Greetings from Batesville — created for Main Street Batesville — is in the style of a retro postcard. Each letter includes landmark buildings in the city.

“It was a great experiential learning opportunity for students on show to work with stakeholders, think through the design process, and learn a few different mural techniques,” Bork said. “It's been awesome to see the community response — a lot of selfies and sharing on social media. It's awesome to see your impact in the community. Batesville is experiencing a bit of a Renaissance downtown and it’s been awesome to play a small part in that.”

More information about Bork can be found at his website, dustynbork.com. He can also be followed on Instagram.

Bork will be back at ASC for the next Second Saturday Family FunDay on February 9, to demonstrate screen printing and to help visitors screen print a T-shirt they can take home.

Dustyn Bork: Complex Shapes and Empty Space is on display in ASC’s William H. Kennedy Jr. Gallery through Saturday, April 13, 2019. Simmons Bank and the Arkansas Arts Council are the exhibition’s sponsors.


MORE ABOUT DUSTYN BORK

  • Bork earned a Master of Fine Arts degree in printmaking in 2002 from Indiana University in Bloomington and a Bachelor of Fine Arts degree in printmaking in 1999 from the University of Michigan in Ann Arbor.

  • His work has been included in a number of juried exhibitions, including the 2016 Annual Delta Exhibition at the Arkansas Arts Center in Little Rock, the Delta National Small Prints Exhibition at the Bradbury Art Museum in Jonesboro, and the Print Exhibition at the Hunterdon Museum of Art, Clinton, N.J. He has also had more than 20 solo and two-person exhibitions with Dahl.

  • In 2016, Bork won one of three Arkansas Arts Council individual fellowships in Visual Arts painting, the largest individual artist fellowship the council awards.

  • Bork has taken his talents internationally, with an artist residency at the Franz Masereel Centre in Kasterlee, Belgium, and the Martignano International Residency for Artists in Martignano, Italy. He was also part of a juried exhibition at the International Printmaking Biennial of Douro Alijó, Portugal.

  • Bork has two sons. Eddie is also an artist, working in graphic design, printmaking, and new media. He graduated from Lyon College with a degree in art. Aiden, his youngest son, is a high school senior and interested in counseling. He too plans to attend Lyon next year.

  • Bork’s work can also be seen at Justus Fine Art Gallery in downtown Hot Springs.

  • Bork and Dahl both contributed works to ASC’s 2018 Potpourri art exhibition.

  • Music is another one of Bork’s loves. “I recently started DJing for KILT, the Lyon College radio station, and I'm hooked.”


Artist Statement for Complex Shapes and Empty Space

shaped no. 10  by Dustyn Bork, acrylic on shaped panel

shaped no. 10 by Dustyn Bork, acrylic on shaped panel

“Certainly, some architectural forms are favored over others, a hierarchy exists for preserving and restoring styles of architecture based on their historical or cultural significance. I am interested in the contrast between old and new structures. It is a curious fate for the life of a building. Some go through many visual iterations and renovations while others will not stand the test of time. I want viewers to make connections between the colors, lines, textures, and forms in my artwork and those to be found in their daily interactions with the constructed environment.

“Certain architectural forms find their way in my work. My paintings and prints focus on the built landscape from my observable surroundings. I have experimented with abstracting forms and structures lifting them from their original context. The current series of paintings are reminiscent of building facades and remove the compositions from the more traditional rectangle and are cut into shaped pieces to more accurately reflect forms pulled from various sources. I want the works to take on an object-oriented feel. Will the new designs and forms constructed today soon collapse, be replaced, or last a lifetime? Each composition is meant to represent the beauty implicit in everyday surfaces and structures in various levels of decay and renewal.” — Dustyn Bork

Diverse Art Exhibitions Lined Up for 2019

Dustyn Bork: Complex Shapes and Empty Space  , on display in the William H. Kennedy Jr. Gallery, opens with a reception Thursday, January 24.

Dustyn Bork: Complex Shapes and Empty Space , on display in the William H. Kennedy Jr. Gallery, opens with a reception Thursday, January 24.

“Small Works,” “Era of Activism,” and “Complex Shapes” Kick off New Year

After a noteworthy 2018 — in which the Arts & Science Center marked its 50th anniversary with sculptural installations, the biennial Potpourri exhibition, and a UAPB-ASC collaborative exhibition — 2019 is shaping up to be another stellar year with a diverse lineup of exhibitions.

“The 2019 exhibitions hit every area of the Arts & Science Center's collecting and exhibition focus: Arkansas artists, art of the Delta, and works by African American artists,” said ASC Curator Dr. Lenore Shoults.

“Arkansas artists are represented by Dustyn Bork's shape series, and we are delighted to be the opening venue for the Arkansas Arts Council's Small Works on Paper tour. Heavy Metal comes to us from the Arkansas Committee of the National Museum of Women in the Arts and features the work of Michele Fox, Amanda Heinbockel, Robyn Horn, and Holly Laws. The Scenes Along the Delta Rhythm & Bayous Highway exhibition partners with a treasure from our archive, Women of the Arkansas Delta, a series of photographs from 1976. James Matthews pushes the envelope with his Eviction Quilt series and Chrystal Seawood explores our society's scrutiny of young black men.”

The following is a rundown of ASC’s art exhibitions scheduled for 2019. Keep up with all of ASC’s current and upcoming exhibitions on our website.


Do You Remember What I Worked For? ,  Markeith Woods  of Pine Bluff, mixed media. Selected by the 2019 Small Works on Paper juror for the Best in Show Award.

Do You Remember What I Worked For?, Markeith Woods of Pine Bluff, mixed media. Selected by the 2019 Small Works on Paper juror for the Best in Show Award.

2019 Small Works on Paper

On exhibit: January 5-26, in the International Paper Gallery

Opening reception: Saturday, January 12, 1-3 p.m., featuring speeches from approximately 10 participating artists. The reception is free and open to the public.

Small Works on Paper — often dubbed simply “SWOP” — is an annual juried visual art exhibition that showcases artwork no larger than 18 x 24 inches by Arkansas artists who are members of the Arkansas Artist Registry. The exhibition travels throughout the state, and ASC is the first stop for the 2019 tour. The exhibition is already installed, but officially opens with a free public reception Saturday, January 12. Ten participating artists are scheduled to speak.

Thirty-seven artists are included in this year’s exhibition, including Richard Davies of White Hall and Markeith Woods of Pine Bluff.

Woods received Best of Show ($500 Award) for the mixed media piece Do You Remember What I Worked For?

Other recipients were Juror’s Choice ($300 award) winner Daniella Napolitano of Little Rock for the linocut Curia Regis, and Merit Award ($200 award) winner J.P. Bell of Fayetteville for his digital photograph Repair of No. 2.

This year’s entries were juried by Robin Dru Germany, professor of photography and associate director at the School of Art at Texas Tech University.

This exhibition is sponsored by the Arkansas Arts Council.


shaped1  by Dustyn Bork is one of the works featured in Bork’s solo show, now on display in the Kennedy Gallery.

shaped1 by Dustyn Bork is one of the works featured in Bork’s solo show, now on display in the Kennedy Gallery.

Dustyn Bork: Complex Shapes and Empty Space     

On exhibit: January 8 — April 13, in the William H. Kennedy Jr. Gallery

Opening reception: Thursday, January 24, 5-7 p.m. The reception is free and open to the public.

Printmaker/painter Dustyn Bork often works in mixed media, and incorporates cultural notions of pattern, color, and design. He is an associate professor of art at Lyon College in Batesville. Bork earned his Master of Fine Arts in printmaking from Indiana University in 2002, and his Bachelor of Fine Arts in printmaking from the University of Michigan in 1999.

Bork’s work has been selected for and won awards in numerous juried printmaking exhibitions including the Delta National Small Prints Exhibition in Jonesboro, The International Printmaking Biennial of Douro Alijó, Portugal, and the Print Exhibition at the Hunterdon Museum of Art in Clinton, New Jersey. 

Exhibition sponsors are Simmons Bank and the Arkansas Arts Council.


The We In You Is The Nation Calling , Nelson Stevens, Poster, ASC82.001.078

The We In You Is The Nation Calling, Nelson Stevens, Poster, ASC82.001.078

Era of Activism

On exhibit: January 12 — August 31, in the Ben J. Altheimer Gallery

“Era of Activism explores 1960s and 1970s posters and prints from our Permanent Collection — a time when artists, and society at large, were tackling issues of social justice and challenging the status quo,” Shoults explained. “AfriCOBRA stood for social justice in the ‘60s and continues today. A special thanks to Garbo Hearne and Kevin Cole for making this mini exhibition possible.”

Some work is more radical as shown in the AfriCOBRA pieces and some is more playful such as Claes Oldenburg’s print from Once Cent Life. Whether Black Power, the Irish Republican Army, or Feminism, these artists are a testament to the impact of activism through art.

This exhibition is sponsored by Simmons Bank.


Mississippi Bridge, 2018  by Ken Lambert is part of the  Scenes Along the Delta Rhythm & Bayous Highway  Exhibition, opening February 7.

Mississippi Bridge, 2018 by Ken Lambert is part of the Scenes Along the Delta Rhythm & Bayous Highway Exhibition, opening February 7.

Scenes Along the Delta Rhythm & Bayous Highway and Women of the Arkansas Delta

On exhibit: February 7 — April 20

Opening reception: Thursday, February 7, 5-7 p.m. with artists’ remarks at 5:30. The reception is free and open to the public.

Amateur and professional photographers capture the natural beauty and human experience of the Delta in this juried photography exhibition. Photographs of the landscape, people, artisans, musicians, wildlife, buildings and transportation give viewers a glimpse into the Delta Rhythm & Bayous Highway, which runs through the Delta from Pine Bluff to Lake Village along U.S. 65, and into Greenville and Leland, Mississippi, along U.S. 82.

Scenes Along the Delta is sponsored by Pine Bluff Advertising & Promotion Commission and Barbara House.

In a companion exhibition, visitors will also have a chance to view photos from a 1976 book by The Pine Bluff Women’s Center, Women of the Arkansas Delta.


1109 Layers of Steel , Robyn Horn, steel, 2007, is one of the pieces in Heavy Metal: Arkansas Women to Watch 2019.

1109 Layers of Steel, Robyn Horn, steel, 2007, is one of the pieces in Heavy Metal: Arkansas Women to Watch 2019.

Heavy Metal: Arkansas Women to Watch 2019

On exhibit: April 20 — June 22

Opening reception: Thursday, April 25, 5-7 p.m. The reception is free and open to the public.

Heavy Metal: Arkansas Women to Watch 2019 features work by Arkansas artists Michele Fox, Amanda Heinbockel, Robyn Horn, and Holly Laws.

The Women to Watch exhibit program was developed by the National Museum of Women in the Arts to feature underrepresented and emerging women artists from the states and countries in which the museum has outreach committees. NMWA curators select the theme, and local arts professionals curate submissions to the national museum.

This theme explores the medium of metal: from the ornamental to the functional, regardless of outmoded distinctions or traditional definitions of what constitutes fine art or design and craft. The exhibit will show a broad range of women artists’ expressions in metal to demonstrate that contemporary artists carry on a vibrant legacy in the medium: sculpture, objects of adornment, conceptual applications, home furnishings, and vessels.  

ACNMWA guest curator Matthew Smith of the Arkansas Arts Center selected the national nominees and the four Arkansas artists featured in the 2019 state tour.

This exhibit is sponsored by the Arkansas Committee of the National Museum of Women in the Arts.


Wail  by Angela Davis Johnson, from Our Front Porch exhibition.

Wail by Angela Davis Johnson, from Our Front Porch exhibition.

Our Front Porch

On exhibit: April 29 — May 11

Traveling Arts Fiesta, an Arkansas-based nonprofit organization dedicated to bringing cultures together and celebrating Hispanic art, is launching a year-long outreach project called “Our Front Porch.” The traveling art exhibit itself is a multi-sensory experience touching on the themes of home, connectedness, rootedness, landscape — a place where we unpack the word “neighbor.” Video and audio installations share stories, anecdotes and songs from the people who inhabit Arkansas.

This exhibition is sponsored by Traveling Arts Fiesta.                                 


Ashia Shelton and her painting “Man Holding Water” were part of the 2018 Annual Pine Bluff High School Art Exhibition at ASC.

Ashia Shelton and her painting “Man Holding Water” were part of the 2018 Annual Pine Bluff High School Art Exhibition at ASC.

2019 Annual Pine Bluff High School Exhibition

On exhibit: May 2 — July 6

Opening reception: Thursday, May 2, 5-7 p.m. The reception is free and open to the public.

This annual exhibition showcases the best of Pine Bluff High School's art classes from the 2018-19 school year, and is curated by PBHS art teacher Shalisha Thomas.





Full Moon , James Matthews

Full Moon, James Matthews

Eviction Quilts by James Matthews

On exhibit: June 27 — September 28, 2019

Opening reception: Thursday, June 27, 5-7 p.m. The reception is free and open to the public.

The quilts in this series by James Matthews are all made from clothes and bedding left curbside after local evictions — each quilt representing a single eviction in Little Rock. The found material was washed, pieced, and sewn into quilt tops, which were then backed and hand-tied with cotton yarn. The quilts serve as a sort of material archive, documenting the personal and physical loss of the eviction, while also transforming the fragments into something that speaks to function and comfort.

Matthews is a documentary artist with a bias toward the human-made landscape, manual processes, and the physical object. In addition to his Eviction Quilts series, he continues documenting Little Rock's places of worship, and exploring disparities of race, wealth, education, and especially violence in Little Rock, work he began in 2006. He holds a Certificate in Documentary Arts from Duke University's Center for Documentary Studies and has also studied folklore in graduate school at UNC and pottery at the Arkansas Arts Center. He lives in Little Rock with his family.

Exhibition sponsors are Relyance Bank and the Arkansas Arts Council.


2019 Annual Pine Bluff Art League Exhibition

On exhibit: August 8 — October 9

Opening reception: Thursday, August 8 12, 5-7 p.m., with juror remarks and prizes awarded at 5:30 p.m. The reception is free and open to the public.

Twenty-five works from members of the Pine Bluff Art League will be on display in this annual exhibition. In addition to selecting the top 25 pieces, an outside juror determines prizes for Best in Show; First, Second, and Third Place; and Honorable Mention.


New Work from Chrystal Seawood

On exhibit: September 12 — November 16

Opening reception: Thursday, September 12, 5-7 p.m. The reception is free and open to the public.

This exhibition is sponsored by Simmons Bank.


2019 Irene Rosenzweig Biennial Juried Exhibition

On exhibit: October 10, 2019 — January 4, 2020

Opening reception: Thursday, October 10, 5-7 p.m., with juror remarks at 5:30 p.m. The reception is free and open to the public.

The Rosenzweig juried show has a long history with the Arts & Science Center, beginning with a gift from the Irene Rosenzweig Foundation in 1992. Irene Rosenzweig was born July 26, 1903, in Pine Bluff and graduated first in her class in 1920 from Pine Bluff High School. She received a Ph.D. from Bryn Mawr College in Pennsylvania and was awarded the Prix De Rome fellowship from the American Academy in Rome. Fluent in French, German, Spanish, Latin and Greek, she served as tutor to the Franklin D. Roosevelt family in the White House. Rosenzweig died in Pine Bluff in 1997.

The Rosenzweig Exhibition includes entries in most media from Arkansas artists and artists from surrounding states.