Theatre Season To Open With Fun 'Legally Blonde'

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Musical Adaptation of Hit Film Kicks Off 2019-2020 Season with July 26 Opening

Legally Blonde The Musical

Sponsored by Simmons Bank

Performances: July 26 & 27, August 2 & 3, 7:30 p.m.; July 28 & August 4, 2 p.m.

Catherine M. Bellamy Theatre, Arts & Science Center, 701 S. Main St., Pine Bluff

Tickets: $18 for ASC members, $22 for nonmembers, and $15 for students.

Purchase tickets online, in person at ASC, or by calling 870.536.3375. Season tickets are also available to purchase in person or by phone.

Director: Lindsey Collins
Musical Director: Faron Wilson
Choreographer: Bethany Gere

Book by Heather Hach
Music and Lyrics by Lawrence O’Keefe and Nell Bridges
Based on the novel by Amanda Brown and the MGM Motion Picture

By Shannon Frazeur

The Arts & Science Center is kicking off its 2019-2020 theatre season this summer with Legally Blonde The Musical, opening Friday, July 26. The production is the first of four ASC productions of the season.

“It’s a pop-rock ‘n’ roll musical,” the show’s director Lindsey Collins said. “The music is different from any other kind of music from the recent shows in that it’s a super-fun, high-energy, from start-to-finish musical.”

Based on the 2001 movie starring Reese Witherspoon, the musical follows Elle Woods, a pretty, perky young woman from Malibu. When we meet Elle, she is finishing her studies—fashion merchandising, of course—at the University of California in Los Angeles, and living with her Delta Nu sisters and her Chihuahua, Bruiser, in the sorority house.

Elle thinks her college sweetheart, Warner, is going to propose. Instead, he breaks up with her, telling her that he needs less of a “Marilyn” and more of a “Jackie” as his life partner because he wan­ts to be a senator.

Warner is heading across the country to begin studies at Harvard Law School, so in an attempt to follow him and win him back, Elle applies—in her own flashy way—to the prestigious school.

To the surprise of everyone—especially Warner—she is admitted and joins Warner in the classroom. On the first day, Criminal Law 101 Professor Callahan throws naïve and unprepared Elle out of class, insisting that she only return when she is ready to learn.

“At first, she’s very flaky and not into it,” Collins said.

Meanwhile, Warner has already found his “Jackie” in fellow law student and brunette Vivienne. 

Frustrated that both her law studies and efforts to win back Warner are failing, Elle is visited by a Greek chorus—her sorority sisters from Delta Nu. They work to help Elle win Warner back and encourage her to stay positive. Elle also befriends teaching assistant Emmett and hairdresser Paulette.

“Through meeting new people, she finds her way and finds that she’s good at being a lawyer,” Collins explained.

“It’s the story of ‘don’t judge a book by its cover,’ because she’s this pretty blonde package but she’s got a brain.”

Audience members can look forward to lots of dancing and laughs. 

“All the characters in the cast are fun. It’s kind of a parody of how people in college are, versus how things happen later on in the real world. When you’re in college, you are kind of in this bubble of ‘untouchableness,’ ‘I’m not affected by what’s going to happen when I grow up,’ and it leads into, ‘Oh no, I am a grownup now. This is how I need to take the steps to become a better one.’ But audiences can expect a lot of laughs and tapping your toes, dancing-in-your seat hilarity. It’s a really super fun ‘Let’s escape reality for two hours’ with something that’s just fun.”

Cast and Crew

The Legally Blonde cast is a mix of familiar faces and performers new to the ASC stage.

“This cast is veteran performers, which makes my job a lot easier as a director,” Collins said. “It is a lot of fun to do a musical with a ‘green’ cast, because you don’t have any bad habits to break. But with a show of this magnitude—it’s a monster show—everything is bigger than it has been at the Center. And with that, and having had people who’ve done shows before, it makes it a lot easier in the rehearsal process. There’s nothing I have to teach anyone—I can strictly work on their performances and how to help them grow and be a better performer for this specific show.”

Makayla Shipe of Bryant stars as Elle Woods. This is the 16-year-old’s first ASC production, but she is no stranger to the stage. Shipe has performed at Arkansas Repertory Theater and The Studio Theatre in Little Rock, and The Royal Theatre in Benton.

“She’s the whole package,” Collins said. “She has immense talent. I would not be surprised to see her go on to bigger and better things, theatrically. She has that spark, the talent, the drive, and when we had to make the switch from Memphisand we put out the announcement about Legally Blonde, she was one of the first people messaging me about auditions to ensure that she could come audition on a certain day. We were really lucky and blessed to have someone with the caliber of talent that she has.” 

Emmett is played by Ethan Patterson. The 22-year-old is from Little Rock and has also been in several community theater shows in the central Arkansas area.

Travis Mosler of Pine Bluff also makes his ASC debut as Warner. He has performed at The Arkansas Repertory Theater and other theaters in the Little Rock area.

Paulette is played by White Hall’s Tiffany Lowery, a returning ASC performer. “Tiffany has not been in a play production since we did Annieabout eight years ago,” Collins said. “She’s been in a lot of Razzle Dazzles. We’re exciting about having her and bringing her back into the fold.”

Professor Callahan is played by White Hall’s Jonathan Hoover, who is ASC’s 2019 Catherine M. Bellamy Award for Performing Arts winner. “It was almost as if the role was written for him,” Collins said. “It’s got that Billy Flynn from Chicago feel about it, which I think Jonathan will be amazing in.” He’s an ASC veteran as well, with 11 years of shows under his belt including as director (Willy Wonka and Through the Looking Glass).

Tracy Sutherland of Pine Bluff returns after a three-year hiatus from the ASC stage in the role of Vivienne.

The trio of Delta Nus — Emily BurrisKelsey Kerney, and Madison Carson—are also familiar with the ASC stage. Their most recent ASC appearances were in last summer’s musical production of Sister Act.

“Other ensemble members involved have been in countless shows here at the Center, and we have a sprinkling of brand-new ones who we’re really thrilled to have part of the production.

“I think this show we have four or five brand-new, 100 percent never-been-on-a-stage performers, and the rest have either been in a show here or have been in a show in the Little Rock or southeastern Arkansas regions. It consists of people from Little Rock, Bryant, Star City, Woodlawn, Rison, White Hall, and Pine Bluff.

“It’s really showcasing talent from across Arkansas—not just Pine Bluff. It’s a cornucopia of talent from all over the entire southeast Arkansas area. And we’re completely thrilled with everybody who’s in the show.”

Collins’ excitement over the Legally Blonde players extends to the crew.

“I have an amazing production team,” she said. Joel Anderson is back as assistant director, the role he served in for last year’s Sister Act. Bethany Gere is also back as choreographer—she was choreographer for Sister Act. Kayla Lake—last seen as an ensemble nun in Sister Act—is stage manager. 

Longtime ASC musical presence Faron Wilson returns as musical director.

“Faron is one of the best musical directors in the state, if possible, in the United States.” Collins said. “Faron has been doing musicals here since 1986 and he has directed some of the best-selling musicals that we’ve ever done here. To have him on board here is beyond lucky.”

Also lending a vital hand to the production behind the scenes are ASC’s three theatre interns. Allie Alexander (a senior at the University of Oklahoma) and Gage Pipkin (a sophomore at the University of Arkansas-Little Rock) are handling many of the technical aspects. Alicia McCree, a Merchandising, Textiles and Design student at the University of Arkansas at Pine Bluff, is assisting with costumes. 

Pipkin is also part of the Legally Blonde ensemble.

Theatre Camp students also helped make props for the production as part of the camp’s curriculum.

Volunteers interesting in helping with the production are welcome.

“We are ALWAYS in need of crew members,” Collins said. “This show is a monster, set-wise. We have scene change, after scene change, after scene change. And everything is a fluid movement—there’s no blackouts—it fluidly moves to the next scene.

“We always need people to help with anything—set construction, being on the crew.”

The Director

This is the Collins’ second ASC production to helm. She made her directorial debut in July 2018 with Sister Act, which sold out all of its four performances.

Collins, who has been involved at ASC since she was a teenager in 2001, is also leading ASC’s recharged theatre program and theatre education programming. She joined the staff part-time in September 2018 and became a full-time employee in March 2019. 

“When the position became available as part-time, I jumped at it,” Collins said. “When you’re like 15 years old and you’ve found your calling—that’s what I’ve got my bachelor’s degree in, theater education, so when the part-time position became available it was like, ‘Absolutely.’ I’ve been working on this since I was 15.

“I wake up every morning excited to come to work because I love this place. I love what it means to other people, and I’m beyond excited and blessed to have a full-time position here. I hope that I can add something to it to help bring awareness to the Center and revive the theater program here. If I can be a help to continue to be a voice for ASC, I will as long as I can. I’m just super excited to be here every day. I wake up in the morning and I’m like, ‘Time to do what I really want to do!’”

Those interested in volunteering to help with the ASC theatre productions may email Collins at More information about volunteering and a volunteer application are available at

ASC to Honor Volunteers with Awards, Reception

Volunteer Night Set for Thursday, April 11

Like many nonprofit organizations, the Arts & Science Center could not serve its community and fulfill its mission without dedicated volunteers.

Five volunteers will receive a Good Egg award — crafted by glassmaker James Hayes — during ASC’s Volunteer Night on Thursday, April 11.

Five volunteers will receive a Good Egg award — crafted by glassmaker James Hayes — during ASC’s Volunteer Night on Thursday, April 11.

ASC’s Volunteer Night, set for 5:30 p.m. Thursday, April 11, is a celebration of the those who have given their time at the Arts & Science Center over the past year.

The event, sponsored by Pine Bluff Sand & Gravel Co., is free and open to the public. A reception will follow and is hosted by Art Krewe, a volunteer group of community art lovers who have hosted ASC’s receptions for more than 25 years.

“As a small staff museum with a lot to offer, our volunteers are essential to the success of ASC's events, programs, and day-to-day operations,” said ASC Executive Director Dr. Rachel Miller. “These community members' willingness to help wherever help is needed is absolutely invaluable. Their support and love of ASC and what we provide our community keeps us strong and relevant.”

The 2019 recipient of the Catherine M. Bellamy Award for the Performing Arts is Jonathan Hoover.

“Jonathan’s service to the Arts & Science Center is without limits,” said ASC Theater Education Coordinator Lindsey Collins. “Jonathan is, without a doubt, the man you call if you need help in the theatre. Whenever a production needs assistance, you can always depend on Jonathan to show up and help. Whether it’s directing a show or running a spotlight, he’s willing to pitch in anywhere the theatre needs it.”

Hoover regularly works with ASC’s theatrical programs and events such as Potpourri. He is a logistics analyst at the Pine Bluff Arsenal.

The 2019 recipient of the Margaret Spearman Memorial Volunteer of the Year award is Troy DeBill. “Troy has been an immense help over the years,“ Miller said. “She tends to volunteer herself without even being asked, and her love of ASC is evident through the selfless contributions of her time.”

DeBill, who is the past Chair of ASC’s Board of Trustees, regularly leads classes at ASC such as Canvas & Cork and Wood & Wine. She served as co-Chair for ASC’s biennial fundraising gala, Potpourri, in 2018. She is the EAST facilitator at White Hall Middle School.

ASC will also give out Good Egg Awards. “Those are people who also have really gone above and beyond for their volunteer work,” Collins said.

Good Egg Award recipients include Pam Holcomb and Donna Oates for their work on costumes for several ASC productions; Charlotte England for her work at receptions and special events; Bill Moss for his behind-the-scenes volunteerism and unwavering advocacy for ASC; and UAPB Merchandising, Textiles & Design faculty member Yunru (Rachel) Shen, for her volunteer work on Family FunDay and TinkerFest programming.

The Good Egg awards are crafted by glassmaker James Hayes.

The final award category is a bit tongue-in-cheek.

“This year, we’re adding a special recognition of a few men for their continued patience and willingness to be volunteered by their significant others for ASC events, productions, and programming,” Collins said. Those awards will go to Mike Kline, Michael Healey, Rich DeBill, Jeff Collins, Kenny Fisher, Mike Lake, and Scottie Abernathy.

During Volunteer Night, a video will be shown featuring interviews with volunteers who have donated their time over the past 50 years with the Arts & Science Center. Volunteers are asked to submit a video of 5 minutes or less of themselves sharing their volunteer contributions to ASC. The videos may be sent via email to by Saturday, April 6.

“I can’t stress enough how important volunteers are, especially with the theatre and a lot of the things that go on here at the center. Volunteers are important. We need them,” Collins said.

Crossroad Festival­ Explores Southeast Arkansas’s Cultural Heritage

Family-Friendly Programming Highlights African American, French, and CHinese Communities’ Contributions through Story, Music, Food and Film

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By Shannon Frazeur

The Arts & Science Center invites the community to learn more about the area’s cultural heritage during the 2019 Crossroad Festival, ASC’s three-day, family-friendly cultural celebration. This multi-program event explores Jefferson County and Southeast Arkansas’s cultural heritage through the interpretive lens of story, music, foodways, and film.

All festival events are free and open to the public with no tickets or reservations required. Families are encouraged to attend.

Attendees of Folktales Family Fun, 10-11:30 a.m. Saturday, March 2, will be invited to make masks of the French Creole folktale characters Bouki (left) and Lapin. (PHOTO COURTESY DR. ELISTA ISTRE)

Attendees of Folktales Family Fun, 10-11:30 a.m. Saturday, March 2, will be invited to make masks of the French Creole folktale characters Bouki (left) and Lapin. (PHOTO COURTESY DR. ELISTA ISTRE)

Each year, the festival highlights different cultural groups that have made a lasting impact on the history, culture, and traditions of Southeast Arkansas. This year’s event features programming on the African American, French and Chinese communities’ regional cultural heritage.

“It’s not a festival in the contemporary sense with food and product vendors,” said ASC Executive Director Dr. Rachel Miller. “Instead, it’s a celebration.”

The festival kicks off Friday, March 1, at 7 p.m. with a program incorporating African American folktales and slave narratives into an interpretative performance involving musicians and actors from the community. Saturday, March 2, features two family programs featuring folklore and food, with hands-on activities. The event caps off Sunday afternoon, March 3, with a screening of the 2006 animated film The Adventures of Brer Rabbit, with director and Pine Bluff native Byron Vaughns.

The 2019 Crossroad Festival is supported in part by a grant from the Arkansas Humanities Council and the National Endowment for the Humanities, and sponsorships by the Pine Bluff Advertising & Promotion Commission and Simmons Bank.

This is the second year for the Crossroad Festival. Last year’s festival focused on the region’s Quapaw Indian, French, and African American cultural heritage.

The Crossroad Festival was inspired by ASC’s Heritage Detectives project. A historian and artist were placed in Pine Bluff, Dumas, McGehee, and Lake Village classrooms to work with students on uncovering and depicting the diverse cultural influences of Southeast Arkansas through pictorial histories.

The festival idea percolated after ASC staff attended cultural programs at other institutes.

“The event was first initially conceptualized after staff attended the FUSION: Arts & Humanities Arkansas festival hosted by the Clinton Presidential Center in February 2017,” explained ASC Executive Director Dr. Rachel Miller. “In discussion with members of the Quapaw Tribe of Oklahoma Cultural Committee, it was determined that there would be an audience for a similar event, but specifically focusing on the Quapaw’s history and legacy in Jefferson County.”

ASC will host a screening of the animated film  The Adventures of Brer Rabbit  on Sunday, March 3, at 1 p.m. during the Crossroad Festival.

ASC will host a screening of the animated film The Adventures of Brer Rabbit on Sunday, March 3, at 1 p.m. during the Crossroad Festival.

Shortly thereafter, ASC staff attended a screening of the documentary film First Cousins: Cajun and Creole Music in South Louisiana documentary, and met with the film’s producer and scholar Dr. Elista Istre about influences of Cajun and Creole culture in Delta regional music. 

“All agreed that Pine Bluff, a city originally settled by Joseph Bonne, who was half French and half Quapaw Indian, would be ideal central location to host a cultural event that explores the county's French and Quapaw roots through primary sources,” Miller said.

In June 2017, ASC hosted a free screening of the AETN documentary, Dream Land: Little Rock’s West 9th Street. “We received an overwhelming response from the audience to host more similar events that focus on the area's African American heritage,” Miller said. Subsequently, ASC reached out to Jimmy Cunningham Jr., executive director of the Delta Rhythm & Blues Bayous Alliance, about organizing an event exploring Jefferson County’s African American history through music.

2019 Programming

Friday, March 1, 7-9 p.m. — Tricksters, Tall Tales, and Blues Notes

Jimmy Cunningham

Jimmy Cunningham

This year’s festival kicks off with a night of lore, music and interpretation with the program Tricksters, Tall Tales, and Blues Notes. The event will combine living history, folklore, and musical performance in exploring African American experiences in Southeast Arkansas. Jimmy Cunningham Jr., with whom ASC collaborated during last year’s festival, writes and directs this program featuring regional actors and musicians.

The program is presented in four parts, and will explore four themes: folk heroes, prison folk music, animal folktales, and urban folklore.

Saturday, March 2, 10 a.m.-3 p.m. — Folktales & Foodways Family Fun

The festival’s second day will comprise two family-friendly programs, with lunch available for purchase.

In the morning session, Heritage Studies and Living History Interpretation scholar Dr. Elista Istre will lead Folktales Family Fun — a family storytelling, hands-on program. She will share traditional French Creole stories of the characters of Bouki (a fox) and Lapin (a rabbit), which are similar to the “Brer Rabbit” tales. She will also explore the links between West Africa, the Caribbean, and the American South. The program will include a craft workshop in which the children can make a mask of Bouki or Lapin to take home with them.

Dr. Elista Istre

Dr. Elista Istre

Ilstre is the founder of Belle Heritage, offering consulting, programming, and tours that inspire individuals and organizations to celebrate the beauty of heritage. Last year, University of Louisiana at Lafayette Press published her book Creoles of South Louisiana: Three Centuries Strong, which began as a dissertation during her time in Arkansas State University’s Heritage Studies program. She will have her books available for purchase at the festival.

She was also involved with the 2018 Crossroad Festival. She and her sister, Dr. Moriah Istre, screened their documentary film, First Cousins: Cajun and Creole Music in South Louisiana, and sat on a panel that discussed the French connections within Louisiana and Arkansas. She lives in Lafayette, La.

For the afternoon program, Istre will join Food Studies and Material Culture scholar Kevin Kim to expand the festival theme of cultural diffusion and adaption with Foodways & Tales. The program will provide a historical context for the foodways of South Louisiana’s Creole people, and Southeast Arkansas’s Cantonese communities, and address how both cultures have negotiated the fine lines between assimilation and isolation within the larger mainstream American culture.

Kevin Kim

Kevin Kim

Both scholars will share family stories and recipes. In a cooking demonstration, children from the Jefferson County 4-H Club will cook greens the Creole way to compare and contrast with how the Cantonese prepare greens as demonstrated by Kim.

Kim is a doctoral student in the Department of American Studies at the University of Maryland, College Park, where he also teaches courses on material culture and popular culture. His research interests focus on the cultural politics of food in American life, with a special emphasis on Asian American foodways. His work has been featured on National Public Radio (NPR). He has held curatorial internships at the Smithsonian’s National Museum of American History and has worked with the Southern Foodways Alliance. He was born in South Korea and has lived in Los Angeles and Little Rock.

Pop’s Place food truck will be at ASC from 11 a.m. to 1 p.m. so visitors can enjoy lunch between the programs­.

Byron Vaughns

Byron Vaughns

Sunday, March 3, 1-3 p.m.The Adventures of Brer Rabbit Screening and Q&A with Director/Animator Byron Vaughns

Continuing the exploration of African American folktales, ASC will close the 2019 festival with a screening of the 2006 animated Universal Pictures film The Adventures of Brer Rabbit. A question-and-answer session will follow with the film’s director, Byron Vaughns.

A Pine Bluff native and a graduate of the University of Arkansas at Pine Bluff, Vaughns has worked on many classic animated television shows including Alvin & the Chipmunks, The Smurfs, Animaniacs, and He-Man and the Masters of the Universe. He won an Emmy in 1993 for directing Tiny Toon Adventures, which was selected for best animated daytime series. Vaughns lives in White Hall after residing in the Los Angeles area for more than three decades.

First-Time Director Brings Musical Fun Of 'Sister Act' To ASC's Bellamy Theatre

Nightclub singer Deloris Van Cartier (Angelica Glass) shakes up a Philadelphia convent and helps its vocally challenged choir became a singing sensation in ASC's musical production of "Sister Act." The show opens Thursday, July 26, and runs through Sunday, July 29.

Nightclub singer Deloris Van Cartier (Angelica Glass) shakes up a Philadelphia convent and helps its vocally challenged choir became a singing sensation in ASC's musical production of "Sister Act." The show opens Thursday, July 26, and runs through Sunday, July 29.

By Shannon Frazeur

Lindsey Collins has been running around for months, spinning the plates that is directing a theatrical production.

The musical Sister Act marks her 30th — that’s right, 30th — production at the Arts & Science Center for Southeast Arkansas. But it is her first time calling the shots.

Sister Act  director Lindsey Collins

Sister Act director Lindsey Collins

Collins, her crew, and her cast of almost 30 are in final rehearsals for Sister Act, which opens at ASC on Thursday, July 26, runs until Sunday, July 29.

Sister Act tells the the story of a nightclub singer named Deloris Van Cartier, who witnesses her gangster boyfriend murder one of this cronies. She is put into protective custody at a convent full of non-singing nuns. Deloris uses her singing abilities to help the choir become a sensational singing group, all while learning valuable life lessons and the value of sisterhood, Collins explained.

“It’s a very fun little story.”

The musical is based on the 1992 movie starring Whoopi Goldberg, but with some key differences.

“The music is all original, written for the show,” Collins explained. “It’s actually written by Alan Menken, who did all the music for The Little Mermaid, Little Shop of Horrors, and a bunch of other very popular musicals. And it’s all ‘70s disco music. It’s set in the ‘70s, so it has that fantastic disco vibe to it.”

Sister Act is also a heavy ensemble show. “Usually you have a few ensemble numbers and mainly solos, but in this show, it’s mainly ensemble numbers and a few solos.”

It’s also music heavy, she said. “It’s probably 80 percent music, and 20 percent dialogue.”


For most of the cast, Sister Act will mark their first time on the Catherine M. Bellamy Theatre stage.

“We have a cast of 28. And 20 of the 28 have never been in a show before — this is their first time ever being in a play here,” Collins said. “And they all heard through word of mouth and through Facebook, through the marquee outside The Center, and they just decided, ‘Hey, I love Sister Act!’ The name drew them in. Everyone sees the name and thinks of the movie.”

A production with so many new actors might seem daunting, but not for the Sister Act cast and crew.

“They are very very committed to what they’re doing for this show, and that makes my job a whole lot easier,” Collins said. “They're all super talented. Pine Bluff has way more talent than I think we've ever knew, and we’re just scratching the surface with what we’ve done so far here.”

Angelica Glass plays the lead role of Deloris Van Cartier in  Sister Act .

Angelica Glass plays the lead role of Deloris Van Cartier in Sister Act.

One of the newcomers is Monticello native Angelica Glass, who plays the lead role of Delores Van Cartier.

“She literally came out of nowhere,” Collins said. “We had a not-so-great turnout for our first round of auditions, so I decided to make an audition notice on all the swap shops on Facebook that I could think of. She just happened to see it go through her newsfeed and came to the audition that night.

“The minute she walked through the door, all three of us lit up like Christmas morning,” Collins said.

“She walked in, and she just embodied everything. And she’s one of the nicest people that I’ve ever met, and she’s super talented. As a director, you want someone who’s very easy to work with and takes direction really well.

“This voice comes out of her, and it’s just awesome.”

Collins pride in her entire cast is evident. “Everyone in this cast is so incredibly talented. We have a 17-year-old all the way up to 70-something.”

“There’s some people in this that just blew me away. They’re all very considerate of everybody else. It’s a very wonderful atmosphere to be a part of. We’re all working toward the same goal. There’s not anybody who feels like they’ve got too much on them. It’s a very cohesive unit, and we’ve been working together very well. I want everyone to leave this process, wanting to come back and do another show.”

While most of Sister Act’s cast is comprised of newcomers, the production crew are mostly ASC stage veterans.

Sister Act  Music Director Andee Book

Sister Act Music Director Andee Book

Andee Book works alongside Collins as Sister Act music director. He an assistant professor at the University of Arkansas at Pine Bluff, where he teaches applied voice, piano, music history, diction, vocal pedagogy, and music appreciation courses. He is also the assistant director of the Vesper Choir and departmental accompanist for various recitals and performances.

”He is amazing and I don’t know how we would have been able to have put this all together without his expertise because he is absolutely wonderful and gifted at being a music director,” Collins said.

Bethany Gere is choreographer. “She has this wonder vision, and she's able to get non-dancers to look like dancers, and that's a huge accomplishment in community theater,” Collins laughed.

“My choreographer and music director have been amazing,” Collins said. “We’ve had moments where we’ll have one thing going on on the stage, one thing going on in the studio, and one thing going on out in the hallway, just to keep things moving. I don’t like downtime, either. I don’t like people to sit there not doing something.”

Joel Anderson is assistant director. Sister Act is Anderson’s eighth ASC production. He played Edna Turnblad in ASC’s 2012 production of Hairspray. Anderson is also a pageant judge for the state of Arkansas. “He notices things I might have missed aesthetic-wise,” Collins said.

“It’s a very cohesive team. The crew is, the cast is. If we don’t all work together, it’s not going to work out right. And without them, I don’t think I would have my sanity left.”

‘Theater Rat’

Collins began working on or in ASC productions as a teenager in 2001, and Sister Act is her 30th production to be part of at the Arts & Science Center.

Previous ASC shows in which she has been in the cast or crew include:

  • Willy Wonka & the Chocolate Factory ("Mrs. Gloop")
  • Hairspray (“Velma VonTussle”)
  • Gypsy (“Mama Rose”)
  • Bye Bye Birdie (“Ursula Merkle”)
  • Chicago (stage manager)
  • Rebel Without A Cause (assistant stage manager)
  • Alice in Wonderland (makeup and costumes)
  • 42nd Street
  • Mr. Scrooge (“Mrs. Fezziwig”)
  • Antigone
  • About a dozen Razzle Dazzle productions (she’s done so many that she’s lost count)

“I love theater. I’ve been a theater rat since I was 15. It’s like putting on a pair of pajamas that fits just right. It may not fit everybody, but it fits me!”

So taking on the role of director was a natural progression for her.

“I got to the point where I wanted to be more creative with what goes on and I wanted to call the shots and make sure we had a great summer production. I was excited when [ASC Executive Director Dr. Rachel Miller] asked me to do it. First, I messaged her and asked if I could direct, and then we when decided on the show, I was thrilled.”

In addition to its theater productions, Collins has had an hand in other ASC projects, such as the biannual fundraising gala Potpourri.

“If The Center calls me, I’m answering the phone to help.”

Collins also helped teach ASC’s after-school shadow puppet program this spring. “That was so much fun. We had a group of about nine kids and they were amazingly smart and well- behaved, and it was a great experience, and I got to work with Leonor [Colbert, ASC’s public programs coordinator], who is a blast to work with.”

“I love The Center. It’s my second home. I might as well have a tent here.”

Collins has a bachelor’s degree in theater from the University of Arkansas in Fayetteville, and did several productions while a student. She is a Pine Bluff High School graduate, and except for the four years she attended UAF, has lived in Pine Bluff her entire life.

She works for CoOperative Life Insurance Company. Collins said that her boss, ASC board member Adam Robinson, is “super supportive” of everything she’s doing with the show. Her family — which includes her husband of 10 years, Jeff, son Dorian, and daughter Caylex — is also supportive. “There are times when it becomes consuming being in charge of something like this, but the outcome is so worth it.”

She has dedicated every show she has been a part of in honor of her father, John Byus III, since he died two years ago.

Collins has enjoyed the collaborative and creative process of bringing Sister Act to ASC.

“It’s a really awesome process. I like that we have a lot of new people because they’re able to share their talents with me, and our cast, and the rest of Pine Bluff. That’s exciting, to share your abilities and your talents, and your love and your passion and whatever it is. That’s why I wanted to direct something.”



July 26 (opening night-SOLD OUT!), July 27, and July 28 at 7:30 p.m., and July 29 at 2 p.m.  

Director: Lindsey Collins. Music Director: Andee Book

Music by: Alan Menken. Lyrics by: Glenn Slater

Tickets are $18 for members, $22 for nonmembers, and $10 for students. Tickets may be purchased online, by calling 870-536-3375, or visiting the Center in person at 701 S. Main St. in downtown Pine Bluff.